Youth Culture Case Study & Play as the Childs Work Essay Example for Free

Youth Culture Case Study Play as the Childs Work EssayAlmost e precise(prenominal) era has seen the emergence of youth sub- finales specific to that time and place, socio-economic factors, geographical location and ideologies. Youth sub-culture could be said to be part of the way many issue people connect to and take part in society.Most youth sub-cultures share common features such as distinctive dress sprints, behaviours, music, appearance as well as shared interests and beliefs but the specifics of each youth sub-culture is unique to that group of soulfulnesss, for example the difference between Punks and New Romantics. Poverty in 1960s Kingston, Jamaica saw the emergence of the youth street culture, archaic Boys. The name derives from a slang word for wicked in Jamaica, used to describe the anti-social behaviour of the individual who identified with the sub-culture.The sub-culture was often associated with violence and delinquency that was present in the aftermath of in dependence and lack of employment opportunities for teenaged people. Building discontent and bitterness light-emitting diode to hostility and fighting as a way of expression for the rude boys. Many youth sub-cultures according to Cohen (1955), arise when people with similar problems get in concert to look for solutions (Gallacher Kehily 2013).Wi load the sub-culture much of the music either promoted or rejected rude boy violence and so further sub-cultures became apparent. On the one march on some recording artists tried to persuade unseasoned people to be less aggressive, such as Stranger Coles 1962 Ruff and inflexible where he sings get int bite the hand that feed you versus the 1967 recording Tougher than Tough by the Heptones which declared rudies dont fear, tougher than tough, rougher than rough, strong like lion, we are iron. lyrically the songs reflected the social conscious of the times and motivated people to take action.Rude boys have distinctive stylised features su ch as their appearance, indicative of the significance of fashion. Suits, thin ties and hats (taken from the movie gangster image of the time) often based on a black and white two tone design, as shown in the illustration below. The style was seen as edgy with an emphasis on masculinity appearance was important.The predominant musical influences of the sub-culture were a mix of big band and Mento, which was a fusion of African style music played in the West Indies. This gave way later to Ska and Rocksteady, which was based on a blended form of reggae, jazz and blues. A very rhythmic music with a steady off beat, the characteristic dance is one of stepping whilst keeping a straight back, rocking/punching arms side to side, the origins of which come from Rudes lancinating a rival. This way of dancing is referred to as skankingan immediately identifiable part of the sub-culture.Rude influenced British youth culture through immigration and in monetary value of music and fashion, but not so much the violence associated with its early origins. Young people adopted the music and fashion style of Rude boys and 1970s Britain saw a Rude boys revival with the creation of bands such as the specials and the beat. The music and fashion became the primary focus for young people belonging to this exciting, upbeat sub culture. This youth sub-culture became known as two-tone, named after the integrated bi-racial youth that created it.The original rudes youth sub-culture was symbolic of the tormented, unemployed young population of Jamaica and its emergence in multicultural Britain as a dangerous and edgy, anti-mainstream movement made it extremely exciting to young people. As Wayne Hemmingway says in the Don Letts subculture series of documentaries, it was everything British youth culture wanted to be (Skinhead and Rude-boy Culture, 2012).The Rude Boy culture has contributed significantly overall to popular music culture and its diachronic impact been celebrated as such by the media. However, back in the 1960s the media berated the youth culture because of its association with violence and anti-social behaviour. Realisation that ska music with its dissipated tempo and powerful lyrics had a part to play in the aggressive identity that Rudies adopted, so responsibility fell on the artists to influence a much peaceful approach to the culture and with a slower tempo and more anti-violent lyrics. Nicholas Stambuli 2011, points out As much as ska had influenced these cultures, it also had the ability to change them.The Rude boy culture was a community based on a common interest and a source of inspiration for the oppressed this symbolism and historical meaning has been lost in subsequent years and whilst the culture does not exist in the format I have outlined above, the music, dancing, fashion of that culture is still relevant today.